On thinner papers this can also cause the sheet to bow and bend. It is important to bear in mind when creating artwork or text for blind embossing that the lines of the image or wording are not spaced too closely together as this runs the risk that there will not be enough room for the image to be effectively formed within the paper. Generally speaking, thick, bold text and larger block images can be blind embossed the deepest and heavier, high cotton content papers produce the best finished result. ![]() The quality & depth of the final impression can depend on a number of different elements including: These techniques can be very effective when used on already textured/embossed papers as the blind emboss/deboss will flatten out this texture in the image area creating a striking contrast. This is common when mounting pictures into Christmas or greetings cards as the photographs can be stuck into the area that has been ‘plate sunk’ (blind debossed). Using a printing press, the process allows many copies to be produced by repeated direct impression. Embossing, or debossing for the opposite effect (but it uses the same technique), is the process of raising a pattern against the background (while debossing. When done on a larger, block area this is referred to as ‘Plate Sinking’. Letterpress printing is a technique of relief printing. This is exactly like adding a color to a letterpress piece. But most people call it a blind deboss, deboss or an emboss. This is the one that we get most requests for. Rather than the image coming up, out of the paper, it is pressed into the material to leave an indented texture. Always going to have an embossing on the other side. This is essentially the inverse of blind embossing. ![]() This very subtle technique can be used on a huge array of different papers and card to produce incredibly sophisticated invitations & stationery that can be both seen and felt. However, by not applying the ink (and simply using the force of the machine to push the paper into the metal die to leave a raised impression) an image is created where highlights and shadows define the typography or graphic. Blind debossing is when the image is pushed down, below the surface of the paper.Īs both processes can be very subtle in nature, it is common to combine them with other printing forms such as copperplate printing, foil blocking or lithography to produce truly memorable stationery.īlind embossing is very similar to the printing technique of die stamping or engraved printing. Blind embossing is what is referred to when the image is raised up out of the paper. ![]() Both blind embossing and blind debossing can produce beautiful, textured finishes to printed stationery.
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